Descent


By Michael White

We moored at dusk. The gangway clanked & swayed
beneath my weight, Vesuvius a blue

ghost at my back as I walked into Naples
on the seawall. Threads of laughter floated

toward me from a gathering below
the great, black towers of Castel Nuovo.

Soon I saw a platinum blonde, in heels
& stockings, standing at the center of

a throng of my shipmates, some of them clutching twenties.
This was April 1975.

I woke the next day in a state of terror.
Slowly, I remembered swallowing

a four-way windowpane I’d bought in front
of the USO. Bad trip, I thought. So this

is what it feels like. Snakes coiling beneath
my skin. But this was only the beginning.

*

Often, in AA, we talk about
a line we’ve crossed, a point of no return,

but in my case, it wasn’t quite that clear.
In April 1975, I’d head

for the Piazza del Municipio
almost every evening; idle over

tables full of rosaries & switchblades;
breathe the air of oranges, fish stalls, angels

frozen on their pedestals against
a solferino sky. I don’t know why

I’d wander, wine-drunk, through the crumbling slums
that scale the slopes of the Vomero. I

remember, one night, clambering up a staircase
alley barely wider than my shoulders.

All around me, I could hear the rustling
sound of running water. Suddenly,

a wave of rats swarmed down on me, cascading
like a waterfall of shadows through

the shadows. I remember turning, slipping,
plunging in one motion straight into

a trash heap; & then leaping up & running,
flying downhill over the cobblestones

until I reached the lights of Via Toledo.
There I stopped, & I shook myself, as if

my sleeves were full of rats, as if my veins
were full of rats. I lit a cigarette—

its bright-orange ember glowing in each shop
I passed on my way toward my ship—& by

the time a hammered sheen had spread across
the black glass of the harbor, we were gone.


Michael White’s poetry collections are The Island, from Copper Canyon Press; Palma Cathedral, winner of the Colorado Prize; Re-entry, winner of the Vassar Miller Prize; and Vermeer in Hell, winner of the Lexi Rudnitsky Editors Prize, published by Persea Books. His memoir, Travels in Vermeer, also published by Persea Books, was longlisted for a National Book Award. His work has appeared in the Paris ReviewNew Republic, and Best American Poetry. White served in the U.S. Navy from 1974 to 1978.

,

The University of Iowa
308 English-Philosophy Building
Iowa City, IA 52242
USA