Book Reviews

Reviewed by:
Ben Jackson
In David Roderick’s second book, The Americans, a complicated national citizenry emerges, stirred by dreams and privileges, violence and regret, utterly insistent on borders, however blurred they may be, and intent on home as a pastoral heartland. The book is split in near-even halves: Section 1—18 poems, 31 pages; Section 2—19 poems, 34 pages. Both sections contain three “Dear Suburb”... more
Reviewed by:
Laura Madeline Wiseman
Kristina Marie Darling’s new book The Sun & The Moon takes up the metaphor of celestial bodies to contemplate the movement of the bodies of two lovers as they move through the space of their lives. To illustrate the astronomical importance of her undertaking, Darling’s Appendix A offers three illustrations of two famous astronomical clocks. These clocks “show the relative location of... more
Reviewed by:
Nick Ripatrazone
“Listen, then.” Our House Was on Fire, the second collection of poems by Laura Van Prooyen, begins with a calm but firm declaration. I can appreciate the sentiment. Our days are outlined in prose, so the experience of poetry requires a revision of pacing and an increase in patience. Van Prooyen is able to maintain this duality of softness and confidence in an impressive manner. Her poems... more
Reviewed by:
Michael Magras
If you’re familiar with the lyrics of Jimmy Cliff’s 1972 reggae classic “The Harder They Come,” then you won’t be surprised to learn that T.C. Boyle’s new novel of the same name includes protagonists who, like the tune’s singer, would “rather be a free man in my grave / than living as a puppet or a slave.” And if you’ve ever seen the film The Harder They Come, in which the song appears,... more
Reviewed by:
Mary Buchinger
How does one begin to review an anthology of a century of poetry by over a hundred Armenian poets? Perhaps first by considering the translator—the one who selects the particular poems for translation from the pool of possibilities—which, in this case, is especially vast and deep given the richness of the Armenian poetry tradition. In a recent interview with Artsvi Bakhchinyan of the Armenian... more

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Reviewed by:
Julie Marie Wade
Denise Duhamel is one of my favorite poets and one of the most captivating, comforting, challenging writers I have ever read.  But because she is “established” in the genre and I am only “emerging,” I realized with some chagrin as I was reading Blowout, her newest and best poetry collection to date, that I will never have a chance to blurb one of Duhamel’s books.  We are poets of two generations. I belong to the one that comes after—and... more
Reviewed by:
Rebecca Morgan Frank
The opening section of Tanya Larkin’s debut collection, My Scarlet Ways, selected by judge Denise Duhamel for the 2011 Saturnalia Books Poetry Prize, sweeps us into the world of girls, but these are timeless, hell-raising girls with a kick and bite. The second poem could be read as an ars poetica of sorts: “Sisters, don’t let sisters / ride the chandelier. It’s just a Turkish tea set / with a drunken seductive chime / like the... more
Reviewed by:
Virginia Konchan
The landscape of Rusty Morrison's newest poetry collection, After Urgency, is one rid not only of music but the hope of its return.From “Verdancies of repetition”:Struck again and again, destiny might never chime.Toss consonants against the vowels for luck of true correspondence.Rhyme-fellows remain distinct even at a distance, like two wings frame the jay’s flight.Harbor the hidden accentual in the beautiful repose after vowelling.... more
Reviewed by:
Micah Bateman
“... And Lord the sound of their wings / is the sound of the leaves...”—Shane McCrae, from “Crows,” Mule THE WAY THINGS WORKis by admitting or opening away. This is the simplest form of current [...] The way things work is by solution, resistance lessened or increased and taken advantage of. The way things work is that finally we believe they are there, common and able to illustrate themselves. Wheel, kinetic flow, rising and falling... more
Reviewed by:
Rebecca van Laer
If you’ve read the back of a poetry book recently, you’ve probably learned that many contemporary poets are “reimagining the possibilities of lyric poetry,” “challenging the conventional boundaries of poetic form,” or otherwise transgressing and subverting the supposedly rigid limits of the lyric poem. This sort of rhetoric has been applied to prose poetry, to narrative poetry, and to professedly political poetry. The language of subversion has... more

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