Book Reviews

Reviewed by:
Lisa Butts
Richard Siken's second collection, coming a decade after his Yale Younger Poets prize-winning debut Crush, finds the poet a subdued man with more mature preoccupations. The erotic energy and dazzling infatuation that drove Crush are replaced in War of the Foxes with frustrations about the impossibility of creating pure and true artistic representations. Siken sets this... more
Reviewed by:
Jack Smith
Watch Me Go establishes Mark Wisniewski as a writer who moves adeptly from the light to the dark, from the quirky, sometimes bizarre comic story to the eerie, unsettling thriller. His previous work—most notably Show Up, Look Good; Confessions of a Polish Used Car Salesman; and All Weekend with the Lights On—contains dark undercurrents suggestive of human frailty,... more
Reviewed by:
Alana Folsom
Dorothea Lasky's Rome begins with lines not from Ovid or Horace, but with Yeats: “Consume my heart away; sick with desire / and fastened to a dying animal…”; and Lasky’s poems adhere, on a subject level, to this epigraph. But Rome is a book about language and voice more than its subject matter: the carnality of humanity when we’re reduced to raw emotion—especially love and loss... more
Reviewed by:
Alex McElroy
“People talk about the sea being monotonous, as they do about anything they don’t observe closely enough,” says the narrator of Medardo Fraile’s story “The Sea.” Reading the stories collected in Fraile’s Things Look Different in the Light, the Spanish author’s first book translated into English, one would have a hard time accusing Fraile of careless observation. Translated by Margaret... more
Reviewed by:
Ben Jackson
In David Roderick’s second book, The Americans, a complicated national citizenry emerges, stirred by dreams and privileges, violence and regret, utterly insistent on borders, however blurred they may be, and intent on home as a pastoral heartland. The book is split in near-even halves: Section 1—18 poems, 31 pages; Section 2—19 poems, 34 pages. Both sections contain three “Dear Suburb”... more

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Reviewed by:
Robert McNamara
Carolyne Wright’s Mania Klepto: The Book of Eulene records the adventures of a doppelganger. Wright, who has published five books of poetry, including Seasons of Mangoes and Brainfire, winner of the Blue Lynx Prize and the American Book Award, as well as three volumes of translation from Bengali and Spanish, describes Eulene in the essay “Disquieting Muse: The Eulene Series” as having arrived as a “nameless, amorphous” figure “... more
Reviewed by:
Karen An-hwei Lee
Illuminating the inner life of a remarkable Bostonian woman of arts and letters, Norma Farber’s slender collection was gathered and published posthumously by her son, the Berkeley poet Thomas Farber. Married forty years to Sidney Farber, the oncologist pioneer of chemotherapy, Norma Farber (1909-1984) was a poet, concert vocalist, and translator. Year of Reversible Loss is the year-long journal composed in the months after her husband’s... more
Reviewed by:
Matt Miller
Published a little more than ten years ago, Peter Richard's first book, Oubliette, took on major themes concerning the nature of time, solitude, and mythmaking and responded to them with a dark, lyrical intensity that seemed completely unique. Richards arrived at a time when many young poets were looking for something new and surprising that was neither ideological and academic, like most Language Poetry, nor naively autobiographical,... more
Reviewed by:
Tim Wood
Duane Esposito’s new book of poems Declaration for Your Bones is a slim, elegant volume easily read in one sitting, but you probably should be sitting. The best poems in the volume meet the high bar that Emily Dickinson set for poetry: they knock the top of your head off. The volume begins:      We’re a skull that cannot close      Around a brain of light—The poems delve into the sedimented grief that one carries and brings into... more
Reviewed by:
Angela Veronica Wong
Karen An-Hwei Lee’s third collection of poems, Phyla of Joy on Tupelo Press, is, at its heart, a celebration, a request for us to see the beauty around us, and a reminder that even the most minute thing can become miraculous and expansive if we take the time to consider it. In Lee’s poems, we find community, spirituality, and philosophy; we are given exploration of legacy and language. Lee’s first poetry collection, In media res,... more

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