Entresol

Zach Savich
Image by Gabriel Tovar on Unsplash

 

Snow, which is useful
for seeing through,

fattens as it falls. I take a picture
to send you then

another with 
my fingers on the pane.
The alert languors. The dust
unsettles. Rust
details.



 

Almost is more than
most. The singer stepped aside,
apologized, then applauded where she’d been.

Groundling
doves, the livelong
sidelong.

Efficiency has done
what it can. 

Like a bird hidden in the wings.







Foundling foundry
font.

My mosaic is an actual face
embedded in itself at
last at last. 

Dust
on the carousel
horses on

the porch.
Wooden
dust.







Considering whether between the sun
should be brighter or shadow and is lightning
more anchor acorn
or sail.







As soon as you left I finished
the chicken wings 
still crunchy. Couldn’t figure turn off
the headlights so
we drove.

Instead of fixing anything lived here 
hacked rotten shed
boards from the base a fringe it
levitates.

The root of wan is bruised.

As one could be prayerful
yet pray for nothing have nothing
to pray for not even that state
to endure.







Or not that you made the bed but that you
opened the curtain or in making

the bed brushed open the curtain or pressing the neck
to compensate
the moan.

 

Zach Savich’s latest books are the poetry collection Momently (Black Ocean, 2024) and the hybrid critical-memoir-for-performance A Field of Telephones (53rd State, 2025). He teaches at the Cleveland Institute of Art.

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