Let us, for a moment, judge a book by its cover. The title of Jennifer Karmin’s debut poetry collection, aaaaaaaaaaalice, stretches across the span of the book in hollow, clean, orange typeface. Several blue keywords wrap around laterally. The front cover, mostly white space, is modestly embellished with three inky bunnies in the bottommost corner. The astute typography and layout design reflect the accomplishments of the book, which experiments with space and presence in an unpretentious and, frankly, perky way. It is at once socially generous (the keyword “hello” is bolded in salutation), intellectually inquisitive, and aesthetically tickling. aaaaaaaaaaalice is a generous book that innovates its own space in which to breathe and invites the reader to do the same.