The Blog

George Eklund’s EACH BREATH I CANNOT HOLD

Christopher Prewitt

When one reads Eklund’s poetry, one draws comparisons to Péret with his figurative, associative language, especially as it pertains to Eklund’s metaphors, which at times can also bring to mind García Lorca. From the poem “Burning Milk”:

We’d yet to see a whole city burn

Only waiting for what would leak

From the big eggs of our ideas,

From the palm of a broken hand

Nailed to the sky.

Geoff Dyer’s ZONA

Ben Mauk

Geoff Dyer draws no distinction between a work of art—a book, a film, a photograph—and his own encounter with it. He may be congenitally unable to distance the object of his critical attention from its relationship to his personal history, or else just unwilling. But to read Dyer is to have a conversation about art with a fiercely intelligent yet deeply self-involved friend.

Binyavanga Wainana's ONE DAY I WILL WRITE ABOUT THIS PLACE

A. Naomi Jackson

Binyavanga Wainana’s fantastic new book, One Day I Will Write About This Place explodes the boundaries of memoir and our notions of what it means to be a contemporary African. The book is part travelogue, part coming-of-age story, part African geopolitical history, but really in the end a tale about how its author became a writer. The story is told through dispatches from a particular time and place—grade school in Kenya, the first year of a business course in South Africa—and woven through with commentary that extends beyond the moment. Wainana is a master of simultaneously tackling both the small and the large-scale.

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