The Blog

Interview with David Mura

Jing Jian

David Mura is a memoirist, novelist, poet, and literary critic. He has written the novel Famous Suicides of the Japanese Empire and two memoirs: Turning Japanese: Memoirs of a Sansei, a New York Times Notable Book of the Year, and Where the Body Meets Memory: An Odyssey of Race, Sexuality, and Identity. I talked with David Mura over email about his newest book, A Stranger’s Journey: Race, Identity and Narrative Craft in Writing (University of Georgia Press, 2018).

Janaka Stucky's ASCEND, ASCEND

Amish Trivedi

Good cultural objects have a way of tying the present to the past while providing some celestial points for sailing into future waters. This is basically a very human thing, using our nostalgia, or at least our perception of the past, as well as engaging a sort of inherent need to contextualize the moment in which we’re living. In Ascend, Ascend, Janaka Stucky reaches back into poetry’s mythic and mystical past and brings it into our moment, one in which the primary focus of publishing appears to be an emphasis on identity and exploring the self through the ways in which we live embodied lives external to us.

Interview with Cassidy McFadzean

Emily Brown

Cassidy McFadzean was born in Regina and earned an MFA from the Iowa Writers’ Workshop. She is the author of Hacker Packer (McClelland & Stewart 2015), which won two Saskatchewan Book Awards and was a finalist for the Gerald Lampert Memorial Award, and Drolleries (M&S 2019)Her poems have appeared in BOAAT, Event, The Fiddlehead, PRISM international, and The Best Canadian Poetry 2016and have been shortlisted for the CBC Poetry Prize and The Walrus Poetry Prize. She lives in Toronto.

Interview with Susan Steinberg

Izzy Casey

Susan Steinberg is the author of three story collections, most recently Spectacle. Her first novel, Machine, is forthcoming from Graywolf Press. She teaches at the University of San Francisco.

Izzy Casey: Let’s start with Spectacle—the title does so much for the collection, as the death of a loved one, the estrangement of a parent, and the dysfunction of families can make one feel like a spectacle, at the center of attention, while simultaneously unseen.

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